Marcia gay harden lifetime movie love you to death
Skeggs has appeared in “Salem” and “When We Rise.” The Oscar-winning Harden has been working professionally since the ’80s.
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Neither Harden nor Skeggs was familiar with the condition. But, it’s far more complicated.”īoth actors did research before the filming started with an emphasis on understanding the disorder of Munchausen syndrome by proxy. You think if you were in those situations, you would have just told the doctor what was really happening. “You think you understand the motivations. “It’s an extremely complicated story,” Skeggs says. The varied views set up what Skeggs wants the audience to take away from the film. In the Lifetime film, she didn’t have to limit herself but was able to play the character from two very different points of view. Skeggs loves the structure because of her extensive theater background, where it is critical to determine just the right angle to tell the story to the audience. “Love You to Death” tells the story from both the perspective of the mother and the daughter. It only becomes clear later that what appears to be a perfect relationship turns deadly. The world sees Camile as an overly protective and caring mother to Esme (Emily Skeggs), her wheelchair-bound daughter. There are people all through history who are doing things that other groups of people would question whether or not what they are doing is a service to humanity.” The answer is that when you look at crimes across history, racist people don’t think they are racist. My biggest question was whether or not a person who engages in that kind of behavior is aware of it or not.
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“Then, it got corroded, and it became the way of life. “She initially thinks she is doing this out of love when she first thought her daughter was sick,” Harden says. All she could see when she looked at the way the mother acted was a lot of gray areas. Marcia Gay Harden (“Code Black”), who plays the abusive and manipulative mother, Camile, didn’t look at the role as being good or bad. The story is based on the true story of Gypsy Rose Blanchard from Springfield, Mo. It’s a case of Munchausen syndrome by proxy when a mother forces her healthy young daughter to pretend she is ill so she can reap the rewards from charitable people who offer her help.
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She was a con woman who preyed on Gypsy’s dependence on her from a young age.It’s easy to judge the incidents that inspired the Lifetime movie “Love You to Death” as extreme cruelty and abuse. I’m not sure why Love You to Death didn’t get into the monetary aspect of their relationship but Dee Dee used Gypsy as a pawn to get donations from popular charities such as the Ronald McDonald House and Make-A-Wish. In the Blanchard case, Dee Dee was actually, if it’s possible to believe, worse than Camille in some ways. Camille fell victim to the outcome of her own horrid machinations. Esme was raised in a home of make-believe sickness, essentially tortured and used as a lab rat and ploy for sympathy and attention by the woman who is supposed to care for her the most. Murder is, obviously, never the answer but at the same time, this might have been the only way this story could end. Photo by Courtesy of Lifetime Copyright 2019 The Insidious TruthĪs in the real story, Esme and Scott brutally murder Camille. (L to R) Emily Skeggs and Brennan Keel Cook star in Love You to Death premiering Saturday, January 26th, 2019 at 8pm ET/PT on Lifetime. In a still night not long after the convention, Camille hears glass shattering from her daughter’s bedroom and leaps into action, aiming a pawn shop gun at the mystery intruder – only for the story to then rewind and shift point-of-view before we can learn who, or what, broke the window of Esme’s bedroom. She finds Esme with her blouse askew under the wandering hands of a mysterious boy and immediately takes her home, rebuking Denise for convincing her the convention, or wig, was a good idea. Then Esme suddenly vanishes after a moment of independence and Camille becomes hysterical. But Camille, believing herself to be a kind and doting mother, does eventually relent to allowing Esme to wear the wig and with it, to attend a video game convention where she may live amongst the fantasy for a while. Influences such as these are inappropriate for such a young girl. When Denise, their friendly neighbor, gives Esme a bright blue wig as a gift, Camille returns it.